Saturday, 3 May 2014

Brighton Festival Open Houses 2014

Here in Brighton, May means the Brighton Festival - a month filled with all sorts of cultural and artistic shenanigans and these include Artists Open Houses.


This is where local artists open up their homes as galleries every weekend, showcasing their own work as well as that of other local artists. It's a lovely relaxed environment to see all sorts of different art and craft and to meet and chat with the artists who make it.

I'm in two this year - both on the Fiveways Trail - number 13 and number 15.  Fiveways is the area where the Open Houses began and is a really lovely trail to walk around.  The participating houses are all quite close together and the ones that aren't are really lovely to look at as you stroll by.


My creations are equally divided between the two houses, so if you can't see what you want in one, just pop round to the other - they are very close!  Apologies for the slightly blurred nature of the shots below - they were taken with my phone camera in very low light.



Number 13 (hopefully not unlucky 13!) is Delicious Delights at 60 Florence Road.  This house belongs to Kate Lulham, who produces original works of art in tins from tins - and just happens to sit next to me in Cross Street Studios.  Find all sorts of Shark Alley bird brooches here - toucans, birds, owls as well as dove earrings, resin pendants, purses and otters.  The otters are also represented in some brand new postcards and there is a Shark Alley Otter Family Photo Album to leaf through - assembled from the wonderful shots that people have sent in of their otters getting up to various adventures (from the Get Buzzy With The Fuzzy blog).

Otter postcards

Number 15 is Polly Raynes's house at 202 Ditchling Road and features art on a 'patterns and nature' theme. I'm showing my hare and Brighton cat brooches here and introducing brand new puffins and squirrels.  All the resin jewellery is here as well as fox prints, cards, postcards and mugs.


Both houses will also be serving tea and cakes in the garden.  What's not to like?!


Saturday, 26 April 2014

City Of Dreams

Thinking about today's blog, it could have been about some new designs I've finished.

Or about preparations for the Brighton Festival Open Houses which start a week today.

Or about the lovely new place we've moved into at work.

But I can't stop thinking about the fact that last night I booked a trip to the city I love most in the world, my most visited foreign destination and (almost) my second home - Palma de Mallorca.

So it's going to be about that instead.



Say Mallorca to most people and hideous visions of sunburnt, drunken youths staggering around and behaving badly spring immediately to mind.  Well, whilst that certainly does happen in some parts of the island (as I can confirm when I was condemned to Magaluf for a fortnight on an 'allocation on arrival' holiday in 1997) the rest is really beautiful - and in so many different ways. Seeing the names of towns is like reading exotic poetry - Puigpunyent, Orient, Marratxi, Son Sardina, Sencelles, Montuïri, Palmanyola.  I get excited when I see them on a map.

My homemade Mallorca poster circa 1999

From Palma you can get across the island and back easily in a day by car - maybe stopping for a mid-morning café con leche in a town almost untouched by tourism, then spend the rest of the day on a pine-fringed beach, swimming in turquoise sea and snaffling up grilled prawns and olives for lunch. On the way back, you could detour up a winding road to the peaceful grounds of a monastery to watch the late afternoon light fall across the flat plain in the centre of the island while the mountains turn smoky blue in the distance, before returning to Palma for either chilled or lively nightlife in any number of lovely bars and restaurants.  Flipping 'eck - I sound like a tourist guide.

The garden of the bar Abaco - so beautiful that grown men have been known to weep.

I've had a pretty crappy six months or so of late and now desperately feel the need to escape - and to have something to look forward to.  Not even my best friends would call me a relaxed and confident traveller, but I am at ease in Palma and that's a great feeling.  I know my way around, I have enough Spanish to get by, I can navigate the public transport system, I can get to a gorgeous beach in about 20 minutes by myself on the bus.  And the buses only cost about €2.

Good old Airbnb has supplied me with a cute little studio loft apartment in an area I know and like and the flights are reasonable at this time of year.

Lot of wide-angle stretchy camera trickery going on here, I have no doubt.

I hope I can fit a chair on this balcony.

The first time I went to Palma, I was about nine and it didn't end well.  I contracted bronchial pneumonia and ended up in hospital.  The second visit to Mallorca was the infamous fortnight in Magaluf, so the fact that I fell so utterly and irrevocably in love with the island during that holiday is quite miraculous.

I have been in Mallorca during every month of the year. I have 'lived' there for a month. I have celebrated a friend's 50th birthday, Easter, Christmas and two unforgettable New Year's Eves there.  I made a friend for life after a spilled drink incident in a bar. I have seen snow on the mountains, experienced the heaviest rain I've ever seen one day in July, and paddled in the sea in a T-shirt on New Year's Day. I also love the fact that you can stumble across lots of unexpected festivals or parades - like the International Dance Festival that just happened to be going on in the tiny square in Sóller, or the extraordinary Parade of the Penitents around Easter time.

Easter and Christmas in Palma

Anyway, just to finish off (before I make you all want to vomit with my sentimentality) here's the famous and beautiful La Seu cathedral - the cathedral by the sea.  This is the first thing I see on the drive into Palma from the airport that makes me catch my breath (or cry), and I always try and catch sight of it from the plane as it takes off to return to the UK (whilst crying).  Part of the interior and the stained glass window were designed by Antoní Gaudí (he of Barcelona mosaics and architecture fame) and it is utterly breathtaking inside.

So roll on May - Palma I'm a-coming to ya!




Sunday, 20 April 2014

Park Life

Continuing in the product photography vein, I took some jewellery to my local park, St Ann's Well Gardens for some natural settings.  Bark and tree stumps provided some lovely textures!



Saturday, 12 April 2014

Shooting Beauty

This afternoon I visited my friend Liz Pichon and subjected her poor daughter Ella to another extensive Shark Alley photo shoot.  This is for the website and for some more informal, lifestyle-type shots.

Line 'em up

Ella is a true professional and it was a joy to photograph her.  Her poise and beauty are astounding. Here are some of my favourite shots.



And these are a couple of my super super faves.



Meanwhile, Liz is looking out of the studio in her shed and seeing this madness taking place.

Designer, craftswoman, photographer, stylist . . .

After three hours, I'd finally done.  I could have gone on and on, but Ella has a life!  Despite the fact that she REALLY had to work, Liz needed small press to take a break for some tea and a catch-up, which then turned into tea and cake and then actually we just forgot the tea and had cake and a bottle of prosecco instead. NICE.

Love Liz's house - scene of many great parties.

Saturday, 5 April 2014

Colour Is The New Black

Double inspiration this week.

Firstly, a happy find on Facebook - a friend shared this:

http://wesandersonpalettes.tumblr.com/


This blog features stills from Wes Anderson films distilled into gorgeous simple colour palettes.  I love it!

Then last weekend, I sat up to watch The Woman In Black on TV.

See - it actually says 'DON'T WATCH IT ALONE'.

Now this, dear reader, is one scary movie if, like me, you fear faces at windows, shadowy distant figures exuding menace and horrid jolting shocks.  As I'd seen it before in the cinema, I stupidly thought I could handle watching it again (alone), but how wrong I was.  I had to change channels three times before eventually giving up altogether and then passed a restless night reliving visions of sinister faces at windows and feeling chronically unable to get up to go to the loo.

When I was able to peer at the screen without going completely batshit, I noticed what a gorgeous colour palette this film had.  Full of cool and murky blues and greens, with loads of black of course, but then unexpected touches of purple, gold and red.  It inspired me to do my own film colour palettes.

So, may I present The Woman In Black - Colour Palettes.

This is a beautiful composition and I love all the variations on grey
Daniel Radcliffe's complexion is also very cool and grey
All the warm colours here come from skin tones, but they are pinging off the greeny blues
Loving this different set of colours - and hurrah for the brilliant Janet McTeer
All the brights here are located only in a couple of spots in the shot, but your eye goes straight to them
This is my favourite - love the shades of purple and violet
I'd definitely given up and gone to bed before this point.

Respect to the people who work so hard to create these beautiful scenes, sets and backgrounds - I'm sure lots of people don't notice them, but subconsciously they must affect the mood of the viewer. This was so much fun - I'm definitely up for doing more if I notice more great colourways on screen. 


Saturday, 29 March 2014

London Calling

London has been calling.

Just for a day to myself, mooching round the shops (for getting material supplies and inspiration NOT clothes and fripperies, you understand!)  A nice break from HAVING to be somewhere and SHOULD be doing something.

Wednesday was earmarked as getaway day -  and it went something like this.


Then just around the corner. 


There are lots of lovely fabric shops in Berwick Street, but I was after one in particular.  I got a fabric from Biddle Sawyer Silks a couple of years ago which I made into many very popular purses, so I was after some more.


Sadly they didn't have it, but the staff were really friendly and I found lots of other great fabrics.  Highly recommend this shop!


Then onto an English classic. I love Liberty for the pure experience.  The building is beautiful and all the things they sell are so enticing. I had to rein in the urge to buy though - it's just a bit too pricey for me.


Wow!  After all that I need lunch.  I wanted to go to a great looking Lebanese canteen in Broadwick Street, but it was rammed.  Fortunately Mildreds vegetarian restaurant had a table for one I could squeeze into.  The food is so good - shame I couldn't finish those last few sweet potato chips.


Right!  Onward!  With bulging tummy.

Much fondling of fabrics here, but with most of the ones I stroked coming in at upwards of £30 a metre, it was back to the remnants box for me.  I did unearth a lovely piece in there though, so job done.

I don't think I've got enough time to go to the V&A, so Plan B kicks in - back through the rain and onto the tube to Victoria to visit my mixed media mecca - bookbinding supply shop Shepherds.  The first time I went there and saw their paper, I nearly cried.  Can I get this last bit of shopping done before my train leaves at 4.06?  Not when Shepherds has a huge basket of chiyogami scraps for me to riffle through.  Uh oh.


All this indulgence has meant I've missed my train.  Oh well - back to Plan A, South Kensington and the V&A shop.  This is always worth a visit and is great for stocking up on unusual little gifts -  great books and bargain jewellery. It also showcases well-priced work by lots of different jewellery designers.  This is how I discovered the genius that is Ayala Bar.

(OK OK, I bought some earrings.)


Now I have officially had ENOUGH. My back hurts and so do my feet.  Such a relief to get on the train to Brighton (the comfy Gatwick Express version - oh goodie) and the deeply pleasurable exploration of the bags for the review of the purchases (all the time trying to forget about the tortured wallet, naturally).  

Now I can't wait to get into the studio and start making.


Saturday, 22 March 2014

I Think Of Them With My Brain

When thinking about this post in bed this morning, I thought I might call it 'Inspirations'.  Pretty dull though, right?

Then I thought of something my friend Paul Cemmick (illustrator and cartoonist extraordinaire) said when we were talking about daft questions artists are asked - in particular 'Where do you get all your ideas from?'.  I don't know if he ever seriously gave this response, but his 'I think of them with my brain' always makes me laugh.

So here are some designing inspirations, aka the things I think of with my brain.

NATURE
Biggest, first and foremost brain-exploder EVER.  Nothing is more beautiful than nature, in my humble opinion.  All of what I love is here - colour, form, pattern, the lot.


 
Yaaay!  Nature is pwetty!

COLOUR
I love colour and it's really important in my life.  I have something called grapheme-colour synaesthesia, which means I see letters and numbers in colour in my head, and have done ever since I can remember. I'm quite particular about colour matching and getting it absolutely right in my work - I don't know whether these two facts are connected!





PATTERN
It's very difficult - perhaps even impossible - for me to leave anything plain and unembellished.  I see patterns everywhere and love patterned textiles, dresses, tiles - anything.  This affects the way I decorate my jewellery, particularly the mixed media pieces, and has also inspired the fox & hare designs.



THE PERFECT CURVE
 I find myself really concentrating on getting a nice flowing curve when I'm drawing out and refining designs.  It has to be perfect!  I love spirals and a nice 'S' curve.



GRAPHIC SHAPE 
Simplifying pieces into a strong graphic shape is a vital part of my jewellery design process.

  

MANY PIECES MAKE A WHOLE
The idea of making something out of something else, so it has many levels of visual interest, is utterly beguiling.



AND FINALLY . . .
The one who brings them all together.  My absolute hero and total genius - Antoni Gaudí.


Usually I'm found overcome and sobbing around Gaudí's work, but just about managing a cheery smile here in Parc Guell